Taking Woodstock isn’t really about the music: it’s more about coming of age on the outskirts of the festival. Critics are lukewarm about Ang Lee's latest effort:
- “You can’t deny the smiling mood that wafts through the film like incense,” admits Anthony Lane of the New Yorker, “and to that extent it honors the original three days; but not once does a character’s show of feeling stir you, send you, or stop you in your tracks.”